Red One Mysterium-X
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The camera that started a revolution in digital cinema. From its humble beginnings, rising from a smoke cloud of intrigue, labeled a scam and claimed to be impossible technology, the RED ONE has materialized as one of the most significant American inventions of the 21st Century. With over 5 times the resolution of an HD video camera, the RED ONE has earned its rightful place as the successor to 35mm film acquisition. The RED ONE has been responsible for creating thousands of films, from independent to Hollywood blockbuster, as well as a growing impact on the capture of episodic television. In the short span of three years, RED has come to dominate the music video and television commercial landscape, as well. Wherever 35mm film once tread, the RED ONE has emerged, bringing with it the advantages of lower cost, lighter weight, same hour dailies, brilliant workflow and grainless, organic images.
SENSOR14 MEGAPIXEL MYSTERIUM-X™ PIXEL ARRAY 5120 (h) x 2700 (v) S/N RATIO 66db DYNAMIC RANGE 13+ stops MAX IMAGE AREA 4480 (h) x 2304 (v) LENS COVERAGE 24.2mm (h) x 12.5mm (v) x 27.3 mm (d) DEPTH OF FIELD Equivalent to S35mm (Motion) lens
Equivalent to 16mm (Motion) lens in 2K RAWACQUISITION FORMATS 4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1, and Anamorphic 2:1)
3K RAW (16:9, 2:1, and Anamorphic 2:1)
2K RAW (16:9, 2:1, and Anamorphic 2:1)PROJECT FRAME RATES 23.98, 24, 25, 29.97 fps @ 4.5K, 4K
plus 50, 59.94fps @ 3K, 2KDELIVERY FORMATS * 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4MONITOR OUTPUTS HD-SDI and HDMI with Frame Guides and Look Around
720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz AudioDIGITAL MEDIA REDFLASH (CF) Module : (16GB Media)
RED SSD™ (64GB, 128GB, 256GB Capacity)REDCODE™ 12-bit RAW : RC28, 36, 42 Quality Levels
1-30 fps 4.5K, 4KRed One MX Packing List Red One MX Cheet Sheet Red One MX Operating Manual